Hey guys – calling all Bob Erlendson fans – he will be turning 91 and we need to Celebrate!
We have planned a tribute concert, the core trio will play two sets with some of Dad’s friends jamming as the night progresses.
Piano: Derek Stoll
Bass: Jeremy Coates
Drums: Malcolm Page
Get your tickets, come down for dinner and finger crossed Dad will be in attendance – if he can come, and if he wants to he will play the grand piano. If you can’t do what you want to do by the time you’re 91, then that’s just ridiculous! If he’s not able to attend, he will still be able to watch the concert, so you can still say hello, send you greetings to him and otherwise wish him a Happy Birthday – he will be able to see the whole concert.
I have printed 10 copies of the Bob Erlendson songbook, his original compositions that was hand copied by Cal Muirhead in the 80’s. We are planning to have the musicians play from these books and you can BUY THEM too! Let us know if you want to reserve a copy.
Highly respected in jazz circles, Bob has played piano professionally for over 50 years! Best known for educating Lenny Breau in jazz theory, his original composition “Lullaby” was published in “Guitar Player Magazine” 1983. He was featured for the documentary “The Genius of Lenny Breau” (1999) and was a consultant on the book “One Long Tune: The Life and Music of Lenny Breau” published in 2006 by University of North Texas Press and written by Ron Forbes-Roberts.
Bob studied jazz arranging with Gordon Delamont in Toronto from 1972-1976. Gordon’s book “Modern Arranging Technique” (1965) published by Kendor Music inc. New York, is well known and used in College’s and University’s across Canada. Gordon’s health was declining from a heart condition and it was very difficult to get in for lessons with him, but Bob was sent to Gordon through a mutual friend and got bumped up to the head of the waiting list after their first meeting.
After several years of study, in 1976 Bob won the Eddie Karam Award for best new arrangement by Gordon Delamont students in Toronto. It was during this time that he began focusing his arrangements on Octet charts. He has many of his compositions arranged for Octet and has released four CD’s “All About Jazz” – Volume 1, Volume 2, Volume 3 and Volume 4 which feature these arrangements. His family has a recording and video of his last octet concert (2016), and hope to use them for a documentary of his life’s story. A best of album is also in the works.
Bob’s compositions “Lullaby” and “Ain’t Nobody’s Business” were featured on Big Miller’s album “Live from Calgary” released by Black Bear records in 1982. The composition “What’s A Good Man to Do” was recorded by Valerie Shearman in Toronto for use on her debut album in 2007. The co-written song “Rick n’ Bob” was released on Rick Washbrook’s album West Mystic in 2008 by dirty ice cream music.
“Winnipeg at Night” was recorded in Toronto by George Koller and Julie Michels for their album “Bass and Voice” released 2011. “Winnipeg at Night” has been recorded by the Calgary Brass group the Foothills Brass and was released on their album “Bourbon Street To Broadway” in 2004. “Winnipeg at Night” was recorded (with the Shirley Eikhard band) in 1998 for Bravo and has been broadcast internationally.
Bob’s album “the Erlendson Effect” gets regular radio play on CBC and his special with Shirley Eikhard is still broadcast on television. He has influenced many jazz musicians during his career and has given away much of his time in educating anyone who would listen on how to fix our understanding of music theory.
Since moving back to Calgary to be with family, Bob has been continuing to enthusiastically compose, and arrange songs for his Octet.